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Abandoned ChapelThe parish waits now,
the loneliness of corners
crawling outward on walls
chipped away by the wind;
cobwebs align them
like the membranes of memories,
the cut of a jewel in a broken window,
gathering in a mesh of strands
a new Mosaic)
My eyes seek out the sermon,
paint no distance
between headstone and cloud;
elegies topple each other
in their climb to heaven
(beneath nick and scratch)
as light needles the shade,
breathes new fire over candles,
measures the weight in these empty rows,
breaths that haven't ceased being prayer.
Shaping CloudsThe sky is always a fixture over oceans,
another cliched postcard;
this is a place where the only distance is upward,
and I lose myself in the memory of shapes
as if your foam fluked tide
stretched as high as it could
and decided to stay.
A horse's gallop
is slowed through the blue
before a piece of his snout breaks off
and drifts away;
as the sun sinks
into the depth and contrast--
heaven over the clothes line,
and corrugated metal,
I realize no one ever mentions clouds in a sunset;
only their absence in a clear sky,
where the light spreads thin into nothing,
and no one notices
lest it be over oceans.
Observing SilhouettesTheirs is still,
arms linked in the face of a sky--
overexposure and time
unlike the the herd
that comes together, and comes apart,
the brief romp of a pair of wings,
the crane's arch to the pond,
the strand on the down of a feather
that knows how to be alone again,
the leaf, the blade of grass.
To Earth, The Parts Of YouAt oceans I feel the sulfur of your hand
spinning shadows into shoals
your allotropic breath
in the sky
going every which way--
bones shifting in your axis,
I feel the indifference of your breath
shifting along tree tops,
the age of you
there are crowds to be heard--
protests and rallying cries.
I want to climb to the highest point of your horizon--
closed like a lid,
away from the beating heart of you
coaxing me to lie upon the ground
Unopened LettersPulled ribbons
fall around the ephemera
like disbanded sails.
I knock around with envelopes,
too close to discern
a shape in the ink
like scrawled twigs
drawn from the slow,
lost to the grip
And yet the kettle on the stove
because we need it to remain the same,
even if in novelty--
like the doddering, ghost
of an old hand,
gesturing for time to slow.
The Stubbornness Of Homethe canopy
parts from its roof,
to the sky
with no memory of blue,
the tired wave length
sinking into the brown and gray
that can no longer hold its red;
in the last heavy wind;
the distended metal
shoved upon the beach,
with the memory
of its place in the world.
Veil Tail GoldfishAs the vein
runs through the fine
you have the light by which you glide,
the current that moves beneath you;
fragments of lamp lapped up
in the shadows of a room
while my feet try to pick apart a pace
in the metronome of
day to day
whose time has all but buried the satellite
of where I need to go
between bits of brick and mortar
and so I leave the window open
the memory heavy in a lifting curtain
as this room sits like a sunken ship
in the waltz of light and turning earth.
I curl up in the womb of it,
leaving the sky as my glass,
feeling the heaviness of Heaven's eye.
IntegerI tried to think of colors,
or a place that would embody a poem
one day, in the event that I lose
the chance for words;
a tree seemed too simple,
but a worthy candidate
as the forest thinned its limbs
to the sun
like futile arms
in the sighs of future buildings.
And then it was too complex,
and green sufficed,
or maybe blue, or whatever color
broke out into the sky.
I tried to walk without a beat,
and summon what feeds
on every bit of youth it could get
from our bodies
like water to a desert-fiend;
tried to think
of what a minuend would be
if not the razor backed edge
of a number,
but the crumbling of cells
piece by piece to the elements
of time as it sorts infinities,
and I am nothing but the breath
that escapes me.
EveI remember when time was time,
when Eve fell into the sea, eyes burning--
her great arm unraveling from the night.
Her breath made its way into
the path of sun.
She became the long road, arriving;
for me the cradle of Winter,
a quilt of windows and hills.
It was a beginning.
She walked with me,
our pace measured in the length of buildings
as she sighed into the wood, textures,
and the joints of stairs.
I almost remember when the thick oak of doors
only ran beneath my fingers
long enough to explore.
This was a beginning too,
and I know that it was here that time began to bleed,
and Eve died young.
Today thoughts almost seem to
in the melted snow of windows,
falling away into Spring.
I watch the spaces emerge in the fence,
the transparency of glass.
Her vision now rests in the pool of sun upon my floor.
She is almost better suited without a form,
as shoveled roads and time wait for me to carry on,
the world cracking beneath an unforgiving sun,
nails rusting in
ViolinI remember the day
you told me violins
were strung with cat gut
and that is why
you hated music
(who says that to a child?)
I followed you
all that summer.
I watched you
grow away from mother -
your whiskey held better conversations
and all she did was cry.
We'd sit cross-legged on the porch
and count the horseflies
settling on our lunch.
You would drown tadpoles
in a bucket
surprised they could not swim
and I would dream
of cherry popsicles.
And when night would gather
on the sidewalk
I'd hold my breath
until a star appeared.
Don't bother making wishes
you'd tell me -
stars are dead weight in heaven
and God has cloth ears.
VesselYour heart is a compass.
Broken, perhaps, but I know
It’s always searching for the North Star.
Which way will your beard point tonight?
Southern modernizationBlack comedy market economy, banana peel political humour, cards with the cartels, the solution free room service and credit the union. Bolivar twist, ding dong dollar under control, valley of the coin desert with no value. Gangsta paradise, the victims are the people. Big mac and cold conflict interference a part of it all. In little Mexico you’d need a high horse to jump the great border wall that boasts its peak.
Viracocha melts waters unlike those it rose from, making waves of out of metal oceans to overtake the current south, re-steel, re-take, tech-mechs the entire south into neo-Machu Picchu, cyberpunk music moulding, reshaping old society into an new age, iron dynasty, fresh coat for an old, ancient look. The coattails of Quetzalcoatl if he were a modern man pull together the merge of future and long passed past..techno temples and the like.
FallingFailure after failure
A life not worth living
Lost in my misery
Long gone are the good moments
I keep falling
Nothing can save me now
Gone my hopes are
Darkest MoonI celebrate my right to live;
To the dismay of some, perhaps
It should be noted
These words I write, however true
Are only portions of the moon
I’ve decide to shine light upon.
But who am I to preach respect?
Who Am I to preach equality?
An advocate for re-personification
Of the female gender
But exhibits cannibalistic characteristics
Within dark spaces.
I am a shadow
Hidden within an Eggshell, painted pink,
Waiting to hatch.
Is the darkness
The night brought upon us.
Predators of the nightA gust of wind
Blowing through our hair
The dead leaves
Cracking under our feet
The night sky
A blanket over our heads
And the full moon
Blessing us with its silver light
A perfect night for us hunters
To look for our prey
To The Girl In BlackThere is a kind of light
you should know--
the russet the sun leaves in our hair,
that strains the gold from the color
like a sieve
as we stand in the noon
or through the everyday autumns
it is a light that crawls inside of us
and walks our shadows
to the plank,
that's how I know it is you.
You walk through the day
with a tentative glow
that hovers around you
but never sinks inside,
as if you harbor something.
Your presence is the lamp of Diogenes
against the sun,
worn like a life preserver,
your shadow trembling in the half of you
as if you would drown in the day.
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